The Extents to Which The Death of a Salesman is an Aristotelian Tragedy
In 350bc, Aristotle wrote Poetics, and in that discourse he defined the elements of a tragedy as compared to other plays like an Epic. According to Aristotle, “Every Tragedy…must have six parts, which parts determine its quality- namely, Plot, Character, Diction, Thought, Spectacle, Song.” When Arthur Miller’s play, Death of a Salesman, is compared to Aristotle’s definitions for tragedy, we can indeed put it in the ranks of Aristotelian tragedy in more of a modern form. My senses tell me that a Greek tragedy played out in exacting 350BC Greek style would seem strange to the modern viewer. The choric song, for example, would not suit modern tastes any more than three actors changing full head masks. Therefore I submit that, short of the modifications necessary to make a play interesting to a modern audience, Death of a Salesman indeed fits the spirit of Aristotelian tragedy in a modern style.
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